
The Greenroom Discussions is your forum for issues, commentary and reviews written by you, the theater-goer. It is arranged by the most current item first. Discussions may be deleted, periodically. Please email us at greenrm@shore.net
Date: Sat, 27 Sep 1980 11:22:15 -0400
To: nancy curran willis Internet problems: LARRY STARK REPLIES: I've found that sacrifice of a live chicken the Ides of every
month at the shrine of BhilGates-The-Benevolent does wonders in
preventing "Glitch"! ADDED NOTE: Apparently, the warranty on the chicken ran out; I tried
sending this to Nancy three different ways, and this is the only
way she'll ever read it! THIS IMPORTANT LETTER JUST ARRIVED: Date: Fri, 27 Sep 1996 14:49:23 EST5EDT4,M4.1.0,M10.5.0 Hello Larry, It was nice to finally meet you in person the other night. I'm
sorry I didn't get to speak to you more. So...I am no longer the Arts & Entertainment Editor for the
school paper. The EIC decided that since it is not a professional
paper, I shouldn't put reviews in. Not to mention, she no longer
wanted any information about anything that happens off-campus. Larry --- nothing happens on this campus. So...She wouldn't
bend, so I quit. LARRY STARK REPLIES: Date: Sun, 15 Sep 1996 16:51:15 -0400 My name is Ben Bensen, I sent you information earlier this year
on two on-campus productions by the Gordon College Department of
Theatre. I appreciate that you posted those. Here is information
on another production from the Gordon College Department of
Theatre preformed by History Alive! the professional acting troupe
of the department. History Alive! Please post as much of this as possible and note that the times
give at the web site are for the summer run which is finished. I
will send you info on our next production as soon as I know. Thank
you once again. Ben Subject: Email change of address As of Friday, September 20, 1996, I will no longer be receiving
mail at torchlight@torchlight.com or at torchlight@iquest.net. Likewise, the domain name torchlight.com has been deleted, so
any other addresses/URL's with that extension are no longer valid.
(Most, however, can be exchanged with iquest.net and still
function properly) My new email address is reveler@twopenny.com It's been a good time. Farewell. Sender: jmcgonnigal@bridgew.edu Hi Larry, How are you doing? We haven't spoken in quite some time. How is
the internet reviewer's life? But, currently I'm doing two shows here at school. The first is
GODSPELL, in which I am playing Jesus, and the second is Tom
Stoppard's DOGG'S HAMLET, CAHOOT'S MACBETH, in which I'm playing
Ghost/ Inspector. I had a fantastic summer in Vermont, doing stock with the
Saxtons River Playhouse. It was my second summer there, so I knew
what I was getting into before I went. I'm performing this Wednesday at the Instages Cabaret (where
Curley is currently playing) Maybe you could make it out there.
It would be great to actually meet you in person (when we actually
know who one another are). And I'm auditioning for RENT that day (well, I'm standing in a
long line and praying for the chance to be seen at the RENT
audition on Wednesday). Well, I have a rehearsal to go to, but just one more thing: GODSPELL at Bridgewater State College. Thanks, Jamie McGonnigal LARRY STARK REPLIES: Well of course, I know what YOU look like, Jamie --- like
a taller, thinner, much younger FDR! But I'll be there if I can.
The InStages cabaret crept up on me totally unawares,
unfortunately, and I'd be eager to see what's going on. Break a leg on RENT! critick@genie.com wrote: I'm not exactly sure who to thank, but thanks none the less.
The information you provided will definitely help. I plan to move
to the Boston area by the first week of November, so the more
information I get, the better. I hope to be working (performing) in Boston soon! Thanks again, Date: Wed, 18 Sep 1996 11:54:13 GMT It's a long shot, but do you know how, if possible, I could
find any reviews that appeared on-line - maybe, in/on your site,
although there doesn't seem to be any search tool - of a recently
concluded production in Foxboro of "Room Service?" LARRY STARK REPLIES: The only on-line reviews I know of are G.L.Horton's
reviews of Boston-based theater on AISLE-SAY, which is in our list
of Theater Web-Sites, and those on the BOSTON PHOENIX site. From: Elitinay@aol.com dear Larry - to introduce myself I'm a friend of Geralyn
Horton's and a playwright in crime with her. You and Sharyn might be interested in NUNCLE, recently done in
a pub in Brighton --- pre-quel to KING LEAR (no one in America
uses the monarchial title for some reason) using Shakespeare's
words --- and he did write a lot of good women's dialog. enjoy your mag, maybe see you in Boston sometime.
Eliza Wyatt Date: Wed, 18 Sep 1996 14:13:38 -0700 Larry, I'm a theatre student at the University of Utah (Logan, UT)
acting/directing major. There isn't exactly an incredible amount of opportunity in this
area for performance. Most students fight for the few positions
with the Idaho and Utah Shakespeare festivals. The Idaho
Shakespeare Festival is in Boise, ID and is really a wonderful
company, if you are interested in checking it out, try The season is pretty much over, except a few performances in
association with the Sun Valley Repertory Company, Sun Valley, ID. If you have happen to have any advice for a determined young
actor with hopes of his own theatre, e-mail me at Thanks Again!! LARRY STARK REPLIES: The only general internship programs I have heard of would
probably be with summer theater. The theatre in Brunswick Maine,
for instance met your criterion to a T ... but it's over till next
summer. You might see if the North Shore Music Theatre, out in
Beverly, has a program. You might as The Oak Street Theatre, also
in Maine, for information, since they just conducted a state-wide
open audition for a large group of theatrical producers. My advice for a determined actor with hopes of his own
theatre is --- find a friend and a garage and Get At It! Here in Boston, in a second-floor space over a folk-music
coffeehouse on Charles Street, a bunch of kids from Boston
University built a theatre. They only lasted a year there, but
then they moved to an abandoned church-building in The Theatre
District, behind the Shubert Theatre here --- but they took the
name with them. THE CHARLES PLAYHOUSE was a going concern when I
got to Boston in 1957, and it's still in our listings today. In around 1963, a bunch of kids from Emerson turned that
same second-floor space on Charles Street back into a playhouse,
and their IMAGE THEATRE worked there two years, but people from
the company were working at Brandeis or Theater Company of Boston
for years thereafter, and one of them --- Paul Benedict --- played
several seasons on the tube in THE JEFFERSONS. Only a few years after that, Ron Ritchell and Polly Hogan
went into that very same space, and ran THE LYRIC STAGE there
around twenty years until they got a spiffy new space built for
them in a YWCA building that is a three-quarter high-rake state-
of-the-art gem. At the moment, I think the second-floor space on Charles
Street is dark. It depends, Eric, on just how seriously you mean the word
"determined" doesn't it?
Break a leg... Where else can you direct a 1920's mystery thriller which opens
on Friday the 13th, and the guns don't fire, the tape deck breaks,
actors are sick, and the ultimate horror - the toilets back up!!!! Now, in a moment of "shameless self promotion" - it did all
come together beautifully! By the way, love the website! Hi, Mort! Remember me, I met you at an EMACT meeting a few
months back. This is fun but my "day job" requires me to sign off now. . . Nancy Curran Willis, Director Date: 24 Sep 1996 22:51:32 -0000 This does not have anything to do with the current play, but
does have to do with the theatre. Mischa Hof LARRY STARK REPLIES: I know Doctor Johnson spoke of visiting the greenrooms of
London theatres, but I'm not near an Oxford English Dictionary at
the moment. So, everyone, What's the answer? Wed, 25 Sep 1996 21:19:52 GMT ...And off we go, onliners! The EMACT Web Page is up and running. Since launching on
Monday, we've had some comments that in a couple of instances,
certain graphics aren't importing, but for all intents and
purposes, if that's the only glitch so far - we're very happy. Kudos to Ken Lord and JulieAnn Charest for getting the page up
and running, now it's up to the EMACT Membership to let us know
what they think. Please take a minute to check it out if you have
internet access, and send feedback! If any members or member groups would like to link up, E-mail
Ken at LARRY STARK REPLIES: I tried, but the Alta-Vista search-service never heard of
EMACT --- at least not Eastern Mass. Association of Community
Theaters, or the four initial letters. I'd like to see what's going on there, so could someone
who knows it E-mail me the URL?
Love, Date: Sat, 21 Sep 1996 18:30:05 -0400 In a message dated 96-09-14 18:44:49 EDT, you write:
<< What's so damned special about theater that you (like me!) will spend any effort necessary to stay in touch with it?>>
It's hard to put something like this into words that don't sound trite or
cliched, so I won't write much. Suffice it to say that my earliest days in
the theatre were the result of a wish not to be left home alone at the mercy
of my brothers while my mother went off to a rehearsal. After watching
rehearsals a few times, I asked to be enrolled in a summer children's theatre
program. After my first few classes I said to my mother, "You don't know how
much fun this is!" Whereupon she said to me, "Why do you think I've been
doing it for the past twenty years?"
Theatre *is* fun. And I noticed again and again throughout the years I spent
onstage and backstage in my town's children's theatre program just how
inclusive theatre is. Even the kids who are ignored or scorned everywhere
else often find themselves part of a close-knit group when they join a
theatre program. I like that feeling of belonging and welcome. I love the
chance to be creative and to join in a creative effort with others. I like
the feeling of becoming a team and the thrill when everything begins to
click. And hey, it's fun to show off and get the applause, too! And there's
also always the challenge of trying to be really *good* in whatever I'm
doing, and hoping to help make the show really good, too. I love a
challenge.
Date: Wed, 18 Sep 1996 14:13:38 -0700 Larry,
I'm a theatre student at the University of Utah (Logan, UT)
acting/directing major. I have to thank you for a great web site. I've
gotten more info, references and leads from your site than anywhere I've
looked. I found the site while trying to track down internship
information. I'm looking for an internship in performance that'll work
my butt off and give me the opportunity to make some contacts. I've done
a little of everything from lighting, sound design and promotions to
performance.
There isn't exactly an incredible amount of opportunity in this area for
performance. Most students fight for the few positions with the Idaho
and Utah Shakespeare festivals. The Idaho Shakespeare Festival is in
Boise, ID and is really a wonderful company, if you are interested in
checking it out, try http://www.idahoshakespeare.org/
The season is pretty much over, except a few performances in association
with the Sun Valley Repertory Company, Sun Valley, ID.
If you have happen to have any advice for a determined young actor with
hopes of his own theatre, e-mail me at sl7q0@cc.usu.edu.
Thanks Again!!
Eric Parrott
Date: Tue, 10 Sep 1996 13:24:18 +0000 I have been checking periodically the last few weeks to see
what's happening but there doesn't seem to be anything after the
middle of August. Is everything alright? What you have been doing
is of great value. Hope all is well and you are continuing. MORT LARRY STARK REPLIES: Someone Noticed! In my case, that meant nine days with a television-set ---
complete with cable and a VCR. I doubt that I have ever seen more
bad acting in my life. Mugging, "indicating" and breaking
character seems to be required of anyone with a SAG-AFTRA card. Of the movies, some of which were on BRAVO and some in the
apartment where I was ferret-sitting, those I'd recommend were
GOODBYE COLUMBUS, CALIFORNIA SPLIT, THE RITZ, and a surprising old
Bogart movie called DEAD END --- plus four movies by or about
SXamuel Fuller. And Maggie Smith in SUDDENLY LAST SUMMER. (Oh, and
the Democratic National bash and the U.S.Open's first week.) I still prefer to breathe the same air the actors breathe.
I'm back in a t-v-free environment, and never missed it for a
moment! Love, Date: Wed, 11 Sep 1996 11:21:04 +0000 Glad you are back and you are refreshed and all reved-up for the
forthcoming theatrical season.--Boy x Man is in callbacks this evening
and by the weekend I hope to have a very good cast ready for the first
rehearsal on the 24th. I have a fine production staff already: Judy
Staicer who designs and teaches at Tufts has come up with a very
evocative set; Marc Klureza, recent MFA grad from Brandeis, is working
on designing the lights and comes up with some interesting ideas.
Still interviewing costume designers, believe it or not. I guess good
ones are hard to get and those that are interested are already doing
other things. Same goes for a sound designer. That and the fact that
we ALL are doing this for beyond next to nothing seems to inhibit
things on this level of theatre. --Tom Vance the GM and Joe Antoun
the artistic director are extremely supportive, dedicated and
nurturing.---I will keep you posted. MORT INRODUCTION: The dialog below grew out of comments about
MUNCIE ON-LINE, which Ty Morton is trying to build at What caught me was his passionate interest in acting. He is
involved in putting together a third theatrical company, the first
of which was called The Torchlight Theatre. The new company will
start out with "Richard III". Date: Fri, 6 Sep 96 23:40:35 -0000 I always hated that damn website! I thought it was ugly and
offered too much "look how cool we are" and not enough substance. >>The title "Muncie OnLine" all by itself looks like the work
of the Chamber of Commerce --- without any more information
revising that picture. It started that way. The Chamber decided they didn't want to be
too innovative and actually have a useful website. >>"Richard" is a really uppity show to start with! I assume
the company has some sort of track-record from the past companies? I wouldn't exactly call it "starting with." I've produced and
directed a few before this one. Too many people view Shakespeare a tough production to pull
off, but actually, it's quite the opposite, since the words
themselves do most of the work for you. It's modern drama - plays
that rely so heavily on visual elements to succeed - that is
tough. Besides, my dear Richard is many things, but "uppity" is not a
term I 'd use to describe him! (Henry IV and his overreactionary
son, now they are uppity!) >>But I digress. Are you a director, or an actor-manager? Yes. >>What's so damned special about theater that you (like me!)
will spend any effort necessary to stay in touch with it? I dunno. And for me, directing is just an extension of that - with just
enough god thrown in to extend the possibilities. What about you? I asked Ty if we could "go public" with what started as
private mail, and got this reply: Subject: Re: Go Public or not? EDIT if necc Please, be my guest. I wasn't aware that my answer was to be
published, but if I were, I probably would have botched by saying
something corny (like "Because I have to!" - j/k). If you want to work it in, the new theatre project is called
the TwoPenny Revelers (from the Globe Theatre's original prices -
you could get a great seat for two pennies). We'll have our own website pretty soon And by the by, I directed Julius Caesar last summer and not only
cast a woman (an extremely talented woman named Lysa Franklin) as
Cassius, but had her play it as a woman. It put a real interesting
spin on her relationship with Brutus, as well as Brutus' estranged
relationship with Portia. From: E Noonan Break a leg E Grace!!!!!!!! Date: Mon, 18 Aug 1980 16:07:23 -0400 Read recently that RENT will begin in the Boston Shubert
theatre in November....Any truth to this ? If it is, how can one
get info. and/or tickets for this production? Would be
appreciative for any information concerning this. Thanks. LARRY STARK REPLIES:
Yes, Paul RENT will be produced here in Boston at The
Shubert Theater this fall....... This situation is something of a scandal here. An independent
producer bid for the rights, intending an open-ended run at Ye
Wilbur Theatre. The Wang management topped his offer in a bidding-
war, and has arranged to RENT The Shubert, apparently for several
years. Nothing would be odd in that, except that the Wang, which is
the biggest house in Boston, is a NON-Profit operation. Just where
they got so much money is a bit of a mystery, and their using
these funds not only to rent a commercial house but to light it
with the hottest property in the nation seems to some to be
monopolistic trade at the very least. None of this should mean anything to you, of course. I haven't seen a firm opening date for the show yet, but The
Wang has no Internet or even E-Mail capability at this point, so
phone or write them directly. Let us know what you find out! Date: Thu, 05 Sep 1996 21:53:37 +0000 To whom it may concern, Hello, my name is Chris Hayes. I am a performer from the St.
Louis area who is moving to Boston. I am looking on the web to
try to find some audition information. Thank you, LARRY STARK REPLIES: Well, one of the best publications I've yet seen is the
NEW ENGLAND ENTERTAINMENT DIGEST, and information about it appears
at the beginning of our UP & RUNNING section. But so far as I know, there isn't a source for audition
information on-line as yet. John Chatterton checked in with this
information, which is only partially correct:
Date: Wed, 04 Sep 96 18:59:11 -0400 I was wondering whether you got my Email about Mr. Colucci's
publication, CASTING NEWS. He is offering free copies (by download) to individuals who
dial up the Boston Computer Society's Zytel bulletin board. (He's
not on the Web yet.) Just dial: 1 617 965-7046 (obviously, neighbors of Newton need
not dial the first bit). After connecting, enter CNEWS. Thanks a bunch, LARRY BACK AGAIN: I tried it, and was confused. Don Colucci publishes
CASTING NEWS, which is probably on sale at newsstands; and if you
can navigate the Boston Computer Society's buletinboard, you can
download One Issue for free. I'm not digitally-aware enough to
have done this successfully; but give it a try! But check below: Love, Date: Thu, 05 Sep 1996 18:24:19 -0400 From: Chris Noel Subject: Auditions The Lexington Players Hay Fever by Noel Coward. The auditions will take place For more informtion contact Chris Noel
Subject: Re: Why do I like theater?
At 12:12 PM 9/27/96 -0700, you wrote:
>>nancy willis wrote:
>>> nancy willis wrote {as an addition to her message}:
>>> P.S. I'm resending my note with what I hope is the correct
address this time. I think I liked my cave - at least I knew the
address!
>>
>>P. S. S. They say the third time's a charm! If the address
doesn't work this time I am crawling back into my cave and carving
my message on the wall so some nerdy computer geek can find it.
I don't know how many failed, or why, but I had a copy before this
one arrived --- and I'm impressed and grateful for your interest
and persevereance!
Love,
===Anon.
Reply-To: jmcgonnigal@bridgew.edu
I hope you enjoyed the show. It wasn't half as bad as I expected
it to be. That whole nervousness thing was not just a part of the
act. It's so different doing a show like that. It's almost like
stand up comedy, but with music.
Which gives me more time to write things for YOU! If you want me
to. Do you have a fax#? I find it easier to do that than to type
reviews out several times. If not, that's okay. I will hopefully
be sending you a DEFINITELY DORIS review soon.
Oh well, I guess that's all for now. Bye. Love, Jamie
Bridgewater's loss is definitely our gain!
The more reviews and the more differing viewpoints, the
better The Theater Mirror will reflect what's going on. We'll
print reviews from Jamie McGonnigal --- or from YOU! --- as often
as you send them.
And, my own review of Jamie's appearance at the InStages
Cabaret should be around here somewhere.
Love,
===Anon.
From: Ben Bensen
Subject: A production of interest
"Cry Innocent: The People vs. Bridget Bishop"
On the Salem Common
Oct. 11 - 31 and special performaces
11:30, 1:30, 3:00 weekdays
On the hour 11 - 8 weekends (excluding 12 and 5)
$5 admission
run time is 55 minutes
508-927-2300 ext. 4747
http://www.gordonc.edu:80/public/theatre/historyalive.html
Date: Tue, 17 Sep 96 12:28:49 -0000
From: Ty Morton
- - - - ---------------------------------------- - - - -
Ty Morton
Proprietor
MuncieOnline
http://www.muncieonline.com
- - - - ---------------------------------------- - - - -
Date: Sun, 22 Sep 1996 18:29:53 EST5EDT4,M4.1.0,M10.5.0
Subject: Calendar Listing
I've been very busy here at school, it being my last year and all;
I've been trying to make some plans for myself for when I have to
enter the (gulp!) real world.
Both shows are shaping up to be really great. I'm very excited.
We're doing some new and interesting things with GODSPELL ---
Seeing as any more traditional productions of it should be
condemned.
I'm sorry, I'm just very sick of High School productions of it.
could you include the following in the calendar listing:
October 25, 26, 31 November 1 & 2.
All performances at 8:00 PM
at the Rondileau Campus Center Auditorium.
Call (508) 697-1321 for reservations or more information.
And if you happen to get call-backs, I'll expect a Diary for the
edification of The Mirror. Hell, I'd like one even if you DON'T
get cast! Think of it, anyway. (Maybe I'll interview you after the
show Wednesday!)
Love,
===Anon.
Date: Sun, 15 Sep 1996 11:56:24 +0000
From: crsaze@diamond.jcn1.com (Chris Hayes)
Subject: Re: Audition info sources...
>
> Chris...
> Sorry to be so lax and so late.
Our "actEr in residence" E Grace Noonan gave us a little more
information about where to find out about auditions locally.
There ARE audition-notices in the Boston GLOBE's Thursday
CALENDAR that comes with every copy of the paper; they are the last
listings under THEATER there.
> And there is NEW ENGLAND ENTERTAINMENT DIGEST, but it's a monthly
and decays in topicality, obviously, as the month progresses.
> But here's E Grace's poop:
>
>> Hi.
>>
>> The Boston Phoenix probably has the largest list of auditions.
I generally call the StageSource hotline. You have to be a member
to get the phone number though. It is a really good organization
to join; have you heard of it?
>>
>> There is also a newsletter called PLACES. I'm not sure if it
is still published or not. It served central Massachusetts.
>>
>> E
>>
> Break a leg...
> Love,
> ===Anon.
Chris Hayes
crsaze@diamond.jcn1.com
Subject: Larry Stark's THEATER MIRROR
From: psohn@usa.pipeline.com (Peter Sohn)
The reviews here in THE THEATER MIRROR are all archived under
"reviews" and if you click on that word at the top of the front-
end, you'll get a list of all of them. "Room Service" though is
not among them. But good hunting...
Love,
===Anon.
Date: Wed, 18 Sep 1996 22:12:19 -0400
Subject: shakespeare's window
From: Eric Parrott
Subject: Web Gold Mine, Thanks!
I have to thank you for a great web site. I've gotten more info,
references and leads from your site than anywhere I've looked.
I found the site while trying to track down internship
information. I'm looking for an internship in performance that'll
work my butt off and give me the opportunity to make some
contacts. I've done a little of everything from lighting, sound
design and promotions to performance.
http://www.idahoshakespeare.org/
sl7q0@cc.usu.edu.
Eric Parrott
Love,
===Anon.
Date: Wed, 25 Sep 1996 10:41:54 -0700
From: nancy willis
Oh, and did I mention
- you have a full house and a critic in the audience!!
Come see "PostMortem" by Ken Ludwig ("Lend Me a Tenor," "Moon Over
Buffalo") at the Quannapowitt Playhouse, 55 Hopkins Street in
Reading, Mass. Continues September 27, 28, 29, October 4 and 5.
Fridays and Saturdays at 8:00. Sunday at 7:00 pm. Come see our
former "little red schoolhouse" turned into a 165 seat theater.
We're just off Route 128/I95 (take Rt. 28N exit off I95). For
information call (617)942-2212.
I've just crawled out of my cave and into the light. Next thing
you know someone will invent the wheel!
Quannapowitt Players, Inc.
From: "Mischa Hof"
Subject: Origin of the word Green Room
Date 9/24/96
I am trying to find out where and what the tru meaning of the word
green room is.
Please anyone with the answer Email it to, or leave message:
MischaH@HotMaiL.com
Http:geocities.com/timessquare/1540
---------------------------------------------------------
Get Your *Web-Based* Free Email at http://www.hotmail.com
---------------------------------------------------------
Love,
====Anon.
From: EMACTJAC@aol.com
Subject: EMACT Web Page
KLord@tiac.net.
The more the merrier.
Enjoy!
===Anon.
>
From: Mellifur@aol.com
To: greenrm@shore.net
Subject: Re: You LIKE theater? WHY???
From: Eric Parrott
Subject: Web Gold Mine, Thanks!
From: Mort Kaplan
Reply-To: mkaplan@gis.net
Subject: What's happening?
We were both on vacations, Mort.
===Anon.
From: Mort Kaplan
To: The Theater Mirror
Subject: Re: What's Happening?
http://www.muncieonline.com
As he says, he was trying originally to work through the Chamber
of Commerce. But he's as much a theater person as I am, and now
he's free (except for some interesting problems you'll learn about
if you plug into his page!) to cover the Greater Muncie Area in
the area of theater as thoroughly as we try to do it for the
Greater Boston Area.
((My comments are preceeded by ">>"):
From: Ty Morton
>>Ahah!!! T O R C H L I G H T Theatre!!!! A very PRETTY web-site,
at least.
Because when I'm not doing it, I wish I were. (I really hate the
pretentious-actor-on-the-rise stock answer of "I have to.")
The audience is part of it, but not really the thrill of the
applause. Just sharing yourself - and not all of you, but a very
specific part doled out in precisely measured quantities - with a
group of people and having it effect them in an emotional way, to
the point that they laugh out loud or cry or get angry or
whatever, is an exhilirating experience. The applause at the end
is just an affirmation of the effect. I get much more out of a
laugh at an obscurely funny line.
That, and getting an opportunity to be, actually BE someone
else, to wear their shoes, think their thoughts, explore the
decisions they make and really understand them... I don't think
anyone who hasn't done it, and done it seriously, can understand
the real value of it. People that just learn their lines and go to
the cast party are really missing out on the big reward. In a way,
it's like a self-induced schizophrenia, but you know, very few
people get to understand themselves as well as dedicated actors
get to understand their characters.
_______________________________
Ty Morton
Proprietor
MuncieOnline
http://www.muncieonline.com
________________________________
Date: Thu, 12 Sep 96 00:52:19 -0000
From: Ty Morton
(http://www.twopenny.com)
It will list all of the theatre in East Central Indiana; have some
posting boards; an ftp site for exchanging theatre related
software, designs and the like; a script exchange, for browsing
new scripts; and eventually a Green Room chat and a searchable
Complete Works of... site (starting with Shakespeare, obviously,
but later growing to include Aristophanes, Sophocles, Moliere, and
if I can get the rights, Williams, Miller and the like.
I've enclosed a picture, if you'd like to use it.
- - - - -------------------------------------------- - - - -
Ty Morton
Proprietor
MuncieOnline
http://www.muncieonline.com
- - - - -------------------------------------------- - - - -
Subject: Reminder! THE TURN OF THE SCREW opens Friday night!
Date: Thu, 5 Sep 1996 07:17:04 -0400
>
>
> THE TURN OF THE SCREW
> Masque Theatre Company
> Memorial Hall Cultural Center
> 30 School Street
> Milford, MA
>
September 6, 7, 13, 14, 19, 20, 26 & 27
Tickets: $15.00 for adults
$12.00 for senior citizens, students, and groups of 10 or more.
Show time: 8:00 p.m. for all shows.
THE TURN OF THE SCREW is adapted from Henry James' late 19th
century novel of the same name.
It is a "chilling gothic mystery".
E Grace Noonan
enoonan@hloexc1.hlo.dec.com
Love,
===Anon.
From: paul
Subject: Re: RENT
Paul Sawka RD5 Box 5902 Lake Ariel, PA 18436
saskwach@prolog.net
but the people who bought the rights to the production are
actually across the street. They are the people at
THE WANG CENTER FOR THE PERFORMING ARTS
270 Tremont Street, Boston MA 02116
1(617)931-2787
Love,
===Anon.
From: crsaze@diamond.jcn1.com (Chris Hayes)
Subject: Auditions
I haven't been so lucky yet.
If anyone could help me, I would appreciate it.
I would also be interested in some information about local talent
agencies and programs.
Chris Hayes
crsaze@diamond.jcn1.com
Sender: cmprime!jchatter@wiser.cis.att.com
Original-From: John Chatterton
Subject: Casting News announcement
John Chatterton
PS the feature on the Pocket Mime was touching.
===Anon.
announce
Open Auditions
for
(Performances Nov. 21-23)
on Monday Tueday and Wednesday
September 9-11 at 7:00PM
at the Monroe Center for the Arts
1403 Massachusetts Ave. Lexington MA
at (617)863-2479
Previous Greenroom Discussions
August, 1996
July, 1996
June, 1996
May, 1996
April, 1996
March, 1996
February, 1996
January, 1996
November, December 1995
THE THEATER MIRROR, Boston's LIVE Theater Guide
| MARQUEE | CURTAIN | USHER | INTERMISSION | ![]()

![]()